![]() ![]() Sixteen encoders is a considerable amount for such a small controller, encoders one and nine double as push-buttons, making them multi-function. Basic functions like triggering loops or samples are straightforward. We would encourage users to use them for finger drumming because they are among the most responsive pads, too. We consistently like Arturia pads because they are bigger than most, making them more suitable for finger drumming. So, in total, you have 16 useable pads, but only eight at a time. There are eight velocity-sensitive backlit pads with two banks. But, it seems limited features is the trade-off for so many assignable encoders. We would have liked to see more features, perhaps with some dedicated buttons. In our opinion, we’d rather see wheels or a joystick. Many users might love them and even prefer them over pitch bend and modulation wheels. The touch strips are one of the only things about the MiniLab Mk2 that we don’t like. ![]() Whether you are tweaking virtual instruments or effect parameters, you’ll never run out of knobs to assign. Even more impressive is that the panel doesn’t seem overcrowded with controls. Quite amazingly, this tiny little keyboard controller comes with a whopping 16 fully-assignable rotary knobs. We have said it before, but it’s worth repeating: Arturia is amongst the best when it comes to assignable controls. Please check out our full MiniLab 3 review for the latest information. Note: Arturia has released the MiniLab 3, which will replace the MiniLab Mk2 it shares the same core qualities, and offers new features and functions. It’s a fantastic buy for anyone with a home studio or who likes to make music on the go. It looks and feels more expensive than it is, and the Analog Lab sounds are stunning. MiniLab Mk2 keyboard controller | Image by Arturia Our verdict on the MiniLab Mk2 4.7
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